Acting Cover Letter To Casting Director

Acting Cover Letter To Casting Director-79
I’m also doing ‘Flame Boy’ at the Platinum theatre and would be happy to set aside a pair of tickets for you.

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You can see me next week on ‘Tragic Flight’, and my film is playing at the festival as part of the National Promotion.

I also have a reel of selected scenes I can send you.

I have also played key parts in plays and films that didn’t include a starring role. Oftentimes, the ultimate success or failure of a project depends on the supporting cast, and I know this intimately.

Side and complementary characters are often just as important to the execution of a story as the main character is. I hope to be a part of that cast in your endeavor to show just what I can do.

If your text is too long, or your message is too vague, or your design is too cluttered, then your efforts will be wasted. You can answer all of those questions in one or two brief, specific, clear sentences. When casting director Jane Smith (who just booked me for a Pepsi spot) heard I was looking for a theatrical agent known for helping strong comedic actors get seen for TV, she said I had to include you on my list.

Answer Their Questions No one will be interested in the particulars of your pitch until your letter, email, or one-sheet has answered these three questions:1) Who are you? I will call your office next week to see if you have a seven-minute window in your schedule sometime soon so we can meet in person."Or simply: "I am a SAG actor seeking new commercial representation.You can send a cover letter attached to your headshot (or printed on letterhead that has one or more smaller photos of you also printed on it), you can send an email, or you can send a "one-sheet."A legitimate alternative to letters, postcards, and emails, one-sheets convey personality and information quickly and uniquely through the use of magazine-style blurbs and graphics.Marketing expert Dallas Travers popularized this eye-catching tool and explains how to create one in Chapter 15 of her book "The Tao of Show Business." No matter which format you use, you must be brief, specific, and clear.You can mention an intriguing special skill or impressive education or training.You can include a quote from a major publication about your work, or create a mock casting notice that describes a character you would be perfect for.Richard Anderson,1234, West 56 Street, Carlisle, MA 01741,(123)-456 7890. Although I am primarily seeking to expand my acting portfolio, I am interested in your internship program as well. I look forward to having the opportunity to audition for you soon. Richard Anderson,1234, West 67 Street, Carlisle, MA 01741,(123)-456 7890. Please give me a call at the attached phone number at your earliest convenience so we can set up a time when we might be able to meet. Enclosure:1) Resume (resume.doc)2) Headshot (headshot.jpg)Richard Anderson,1234, West 67 Street, Carlisle, MA 01741,(123)-456 7890. I have been acting in New York since the age of five, first appearing on ‘Nursery Rhymes’ at the age of ten in ‘We are Friends’ stage version of ‘Friends’. I grew up in Chicago and just graduated from the University of North Carolina and found out we were fellow alumni. John Smith, National Acting Talent Unlimited,257, Park Avenue South, New York, NY 12345-6789. Smith, I am writing to you as a working actor who would like very much to be considered for work on ‘The Terrific Show.’ As indicated by the enclosed resume I have extensive experience in film and stage. John Smith, National Acting Talent Unlimited,257, Park Avenue South, New York, NY 12345-6789. Smith, I am submitting my headshot and resume for your consideration. John Smith, National Acting Talent Unlimited,257, Park Avenue South, New York, NY 12345-6789. Smith, Enclosed please find my headshot and resume for your consideration.The "right people" are agents, managers, casting directors, writers, directors, and producers—people who are in a position to help you.Raising their awareness of your existence sometimes requires a pitch, and often, early in your career, that pitch has to come from you, usually in writing.I take pride in admitting the parts I gained over the years from college to today.I was fortunate enough to star in three major productions: “Joseph and the Technicolor Dreamcoat,” “Othello,” and a version of “The Lion King” that showed my stage athleticism.


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