Bend It Like Beckham Cultural Essays

Bend It Like Beckham Cultural Essays-84
However, because the protagonist is part of a traditional Indian family, food plays an important role in the film.Jesminder Bhamra, nicknamed “Jess,” comes into conflict with her family, especially her mother, over her love of soccer.The situation with her family is further complicated because of her sister’s upcoming wedding and the stress it puts on the entire Bhamra family.

However, because the protagonist is part of a traditional Indian family, food plays an important role in the film.Jesminder Bhamra, nicknamed “Jess,” comes into conflict with her family, especially her mother, over her love of soccer.The situation with her family is further complicated because of her sister’s upcoming wedding and the stress it puts on the entire Bhamra family.

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(Mc Clain 712.) When Jess shows no interest in learning to cook, she is acting outside of proper gender roles and jeopardizing her future within the Indian community as well as bringing shame to her family within it. Jess is seated on the couch, her parents looming over her. Bhamra expresses worry about the only future she can perceive for her daughter: “What family will want a daughter-in-law who can run around kicking football all day but can’t make round chapattis? Like many coming-of-age stories, a breakdown of communication turns a parent’s good intentions into unfair attempts to ruin his or her child’s life. (Mc Clain 714.) Perhaps even more ridiculous, however, is her obsessive fear that playing soccer has affected her daughter’s sexuality. Having missed the beginning of the conversation, she believes that she is overhearing a lovers’ quarrel. Paxton crying on the couch about this revelation even though untrue and based on speculation of a half-heard conversation. Once again, the mother figure bearing food is unable to understand her daughter’s perspective. All sorts of condiment and spice bottles are arranged on the table like players on a soccer field.

” After a failed appeal to her father, Jess’s mother declares “That’s it, no more football! There is a similar disconnect between Jules and Mrs. Even though Jules’s family represents the average family living in Hounslow in the early twenty-first century, there is a certain image of femininity to which Mrs. In one scene, Jess goes to the Paxton house to talk to Jules. Paxton’s very first comment to Jess is in reference to food: “You know, I cooked a lovely curry the other day.” (Scene 19, “Betrayed.”) This is one way she is made even more outrageous: she attempts to use food as a way to associate herself with what she perceives as the Indian ideal of the female cook/preserver of tradition, and to cover up the fact that she has so little in common with her daughter. Tea, like any other meal, offers a chance for people to sit down, talk, and come to understand each other. Jules’s mother is the first of the two mothers to make an attempt to understand her daughter’s obsession with soccer. Jules enters and sees her father teaching her mother the rules of the game, and notices that her mother has read a stack of magazines about soccer. Paxton’s words, she’s “got to take an interest” or she’s going to lose Jules.

Paxton back into harmony with the rest of her family.

Jesminder and her mother come to an understanding only after the stress of her sister’s wedding is over.

By the end of the film, it becomes a vehicle through which they come to accept (in Jess’s case) and understand (in Jules’s case) their daughter’s choices. “Bend It like Beckham and Real Women Have Curves: Constructing Identity in Multicultural Coming-of-Age Stories.” (Depaul Law Review, 2004-2005) 701-702.) According to feminist philosopher Uma Narayan, cooking is especially emblematic of Indian culture, therefore a proper Indian woman should know how to cook. Bhamra is an excellent example of ideal Indian femininity because she is almost always shown preparing, serving, or eating food. Nagra, Keira Knightley, Jonathan Rhys-Meyers, Anupam Kher, DVD, Twentieth Centruy Fox, 2002, Scene 8 “No More Football.”) Bhamra is motivated by a desire to pass on traditional Punjabi culture and sees cooking as one way to ensure a good future–i.e. Jess considers the cooking lessons to be yet another way for her mother to control her future and force her into a certain feminine ideal.

The role of women is at the core of many traditional cultures and is important to their survival. The preparation of these meals is a symbol of continuity of culture, as are her attempts to teach her daughters. “The Politics of Location: Ethnic Identity and Cultural Conflict in the Cinema of the South Asian Diaspora.” (Journal of Communication Inquiry, 2003) 55, 59.) A scene that illustrates this is the argument between Jess and her mother after she discovers that Jess has joined a girls’ team. When she brings soccer into the kitchen as an assertion of her own identity, it can be interpreted as a threat to her culture. Paxton is more of a caricature than a fully fleshed character with regards to her attitude towards her daughter. (Austin: University of Texas, 2007) 193.) As the scene continues, Jess and Jules argue about who has the right to pursue a relationship with their coach, Joe. Paxton overhears them as she brings up a tray of tea and cheese. Paxton jumps to a conclusion and is so horrified that she cannot begin to conceive talking to her daughter about it. Paxton at their patio table enjoying a glass of wine as they wait for Jules to get home for dinner.

She meets Juliette “Jules” Paxton, who encourages her to join her team, the Hounslow Harriers.

Jesminder accepts her invitation and joins the team despite the wishes of her mother.

Her mother does not agree with her enthusiasm in playing football.

Jasminder (a young female Indian footballer) is expected as a woman to be married and maternal.

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