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Anne Brontë writes in vivid detail of these problems in her first novel, The novel draws a marked implicit contrast between the strong, self-controlled figure of Jane, and the animalistic qualities of Rochester’s first wife, Bertha Mason.
unsettled views as to how women should act and behave, suggesting, in Lady Eastlake’s eyes, almost an overthrowing of social order.
Unlike the long-suffering heroines in Charlotte Brontë’s early writings, who pine away for the dashing, promiscuous Duke of Zamorna, Jane demands equality and respect. She speaks to him as one spirit to another, ‘equal – as we are’ (ch. One can find, however, elements of this rebelliousness in the early writings, which cover a period of Brontë’s life from early adolescence to her late 20s.
Significantly, Jane first sees Bertha in her own mirror, and she refuses to condemn her as Rochester does.
The novel was shocking in Rochester’s frank descriptions of Bertha’s sexuality, and his own debauchery, but it is important to note that the novel also depicts Jane as a heroine with strong desires.
‘Do you think’, she demands of Rochester, ‘I am an automaton? In ‘Visits in Verreopolis’ (1830), the noble Zenobia, who is deeply learned in the classics, is subject to ridicule by various males.
The Duke of Wellington suggests that women are like swans, graceful in the water, but when they presume to leave their natural element, the home, they have an ‘unseemly waddle’ which entitles everyone ‘to laugh till their sides split at the spectacle’.(1851), which argued for women’s rights to vote and to work, she writes to the novelist Elizabeth Gaskell that while she approves of many of the writer’s arguments she feels they are lacking in ‘heart’ and tender feelings.
While Brontë does not approve of women voting, she does believe they should be allowed to work.
In the novel, Jane makes a passionate plea for women to be allowed to use their talents, and not to be confined to the home ‘making puddings and knitting stocking, …playing on the piano and embroidering bags' (ch. Charlotte Brontë herself had worked as a governess and a teacher, but had hated it.
Brontë's poems after her return to Roe Head reflect her longing for home and for Angria as well as her anxious need to reconcile her desire to write with the necessity of continuing to teach to earn a living.
The mos The poem continues for 177 more lines, developing into vividly realized scenes featuring the Duke of Zamorna.