Essay On Louis Armstrong Life

Essay On Louis Armstrong Life-16
Accompanying theoretical discussions is a concerto addressing relevant compositional issues.

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His Hot Five and Hot Seven group recordings for the Okelt records label between 19.

They were the greatest that the label had accomplished in music to that point of time.

The late fifties brought with them the civil rights movement, and many blacks saw Armstrong as a very important person of music, playing for primarily white audiences around the world.

Though these claims were not right, Armstrong was then in his sixties and primarily concerned with continuing to travel and perform.

The 1950s proved to be regeneration for Armstrong, as both a musician and a role model to several.

Though he had been singing since his early days in Chicago, it was not until the 1950s that audiences recognized his great skill as a singer as well.For many, his singing was the perfection of a genre just then in its infancy.With his increasing fame came the criticism of a black community that felt he was not living up to the responsibilities of the times.His voice became, almost instantly and globally recognized of jazz itself just because it was so good.His 1956 recording with Ella Fitzgerald of George Gershwin’s Porgy and Bess was one of the most popular and best loved duets of the 1950s.Using boxes of Ampex reel-to-reel tape as canvas, he compiled around 500 collages that served as a visual diary of his concerts and anything he wished to document, including ads for his beloved Swiss Kriss laxative.Among his many collages, one holds a visual impression of Brussels, Belgium’s capital.Louis Armstrong was one of the most famous and influential performers in the entire history of jazz.Louis Armstrong began to be noticed by important people in the 1920’s and the early 1930’s.What at first appears to be just another collage dedicated to a concert location, upon closer inspection is rather remarkable.Jazz bassist and historian Matthias Heyman will detail the visual codes embedded in the collage – and use it as a lens on the jazz community in 20th century Belgium.

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