Essay Questions About The Raven

Essay Questions About The Raven-85
Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortal ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, "Lenore?" This I whispered, and an echo murmured back the word, "Lenore! Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before.In "The Philosophy of Composition," Poe's own essay about "The Raven," he describes the poem as one that reveals the human penchant for "self-torture" as evidenced by the speaker's tendency to weigh himself down with grief.

Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortal ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, "Lenore?" This I whispered, and an echo murmured back the word, "Lenore! Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before.In "The Philosophy of Composition," Poe's own essay about "The Raven," he describes the poem as one that reveals the human penchant for "self-torture" as evidenced by the speaker's tendency to weigh himself down with grief.

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Nothing farther then he uttered—not a feather then he fluttered— Till I scarcely more than muttered "Other friends have flown before— On the morrow he will leave me, as my Hopes have flown before." Then the bird said "Nevermore." Startled at the stillness broken by reply so aptly spoken, "Doubtless," said I, "what it utters is its only stock and store Caught from some unhappy master whom unmerciful Disaster Followed fast and followed faster till his songs one burden bore— Till the dirges of his Hope that melancholy burden bore Of 'Never—nevermore'." But the Raven still beguiling my sad fancy into smiling, Straight I wheeled a cushioned seat in front of bird, and bust and door; Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy, thinking what this ominous bird of yore— What this grim, ungainly, ghastly, gaunt, and ominous bird of yore Meant in croaking "Nevermore." This I sat engaged in guessing, but no syllable expressing To the fowl whose fiery eyes now burned into my bosom's core; This and more I sat divining, with my head at ease reclining On the cushion's velvet lining that the lamp-light gloated o'er, But whose velvet-violet lining with the lamp-light gloating o'er, She shall press, ah, nevermore! — Whether Tempter sent, or whether tempest tossed thee here ashore, Desolate yet all undaunted, on this desert land enchanted— On this home by Horror haunted—tell me truly, I implore— Is there—is there balm in Gilead? The tapping is repeated, slightly louder, and he realizes it is coming from his window.

Then, methought, the air grew denser, perfumed from an unseen censer Swung by seraphim whose foot-falls tinkled on the tufted floor. When he goes to investigate, a raven flutters into his chamber.

"Wretch," I cried, "thy God hath lent thee—by these angels he hath sent thee Respite—respite and nepenthe, from thy memories of Lenore; Quaff, oh quaff this kind nepenthe and forget this lost Lenore! Paying no attention to the man, the raven perches on a bust of Pallas above the door.

Amused by the raven's comically serious disposition, the man asks that the bird tell him its name. The narrator is surprised that the raven can talk, though at this point it has said nothing further.

The narrator becomes angry, calling the raven a "thing of evil" and a "prophet".

Finally, he asks the raven whether he will be reunited with Lenore in Heaven.The poem was inspired in part by a talking raven in the novel Barnaby Rudge: A Tale of the Riots of 'Eighty by Charles Dickens.Poe borrows the complex rhythm and meter of Elizabeth Barrett's poem "Lady Geraldine's Courtship", and makes use of internal rhyme as well as alliteration throughout.The narrator remarks to himself that his "friend" the raven will soon fly out of his life, just as "other friends have flown before" Even so, the narrator pulls his chair directly in front of the raven, determined to learn more about it.He thinks for a moment in silence, and his mind wanders back to his lost Lenore.The poem was soon reprinted, parodied, and illustrated.Critical opinion is divided as to the poem's literary status, but it nevertheless remains one of the most famous poems ever written.The poem makes use of folk, mythological, religious, and classical references.Poe claimed to have written the poem logically and methodically, intending to create a poem that would appeal to both critical and popular tastes, as he explained in his 1846 follow-up essay, "The Philosophy of Composition".Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore, "Though thy crest be shorn and shaven, thou," I said, "art sure no craven, Ghastly grim and ancient Raven wandering from the Nightly shore— Tell me what thy lordly name is on the Night's Plutonian shore! " I shrieked, upstarting— "Get thee back into the tempest and the Night's Plutonian shore! Take thy beak from out my heart, and take thy form from off my door!" Quoth the Raven "Nevermore." Much I marvelled this ungainly fowl to hear discourse so plainly, Though its answer little meaning—little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blessed with seeing bird above his chamber door— Bird or beast upon the sculptured bust above his chamber door, With such name as "Nevermore." But the Raven, sitting lonely on the placid bust, spoke only That one word, as if his soul in that one word he did outpour. Leave no black plume as a token of that lie thy soul hath spoken! " Quoth the Raven "Nevermore." And the Raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door; And his eyes have all the seeming of a demon's that is dreaming, And the lamp-light o'er him streaming throws his shadow on the floor; And my soul from out that shadow that lies floating on the floor Shall be lifted—nevermore!

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