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Middle Life and Mature Work: Milan and Florence Leonardo went to Milan c.1482 and remained at the court of Ludovico Sforza for 16 years.
There he composed the greater part of his and the extensive notebooks that demonstrate the marvelous versatility and penetration of his genius, which experimented freely in the arts and sciences.
Nonetheless, the composition and general disposition of the figures, in which all lines and attention intersect at the mural's center—the head of Christ outlined against a clear sky and landscape—reveal a power of invention and a sublimity of spiritual content that mark the painting among the world's masterpieces.
While at Ludovico's court Leonardo also worked on an equestrian monument to the duke's father, Francesco Sforza.
Back in Florence Leonardo engaged in much theoretical work in mathematics and pursued his anatomical studies at the hospital of Santa Maria Nuova, dissecting cadavers,drawing, and making copious notes in an attempt to understand the muscles, bones, and other aspects of body that lay beneath the skin and dictated the human countenance and form.
In 1502 he entered the service of Cesare Borgia as a military engineer.Early sources describe his beauty, charm of manner, and precocious display of artistic talent.In 1466 Leonardo moved to Florence, where he entered the workshop of Verrocchio and came into contact with such artists as Botticelli, Ghirlandaio, and Lorenzo di Credi.Celebrated as a painter, sculptor, architect, engineer, and scientist, he revolutionized how the modern man thinks, and paved the way for modern Leonardo was born in the small town of Vinci, in Tuscany, near Florence.He was the son of a wealthy Lawyer and a peasant woman.Early Life and Work: Vinci and Florence Leonardo was the illegitimate son of a Florentine notary and a peasant woman.Presumably he passed his childhood with his father's family in Vinci, where he developed an enduring interest in nature.In 1978 a major (and controversial) restoration was begun, and in 1994–95 protective air-filtration and climate-control equipment were installed.The restoration was completed in 1999, leaving the mural brightened considerably with some details clarified, but also revealing the extensive loss of the original painting.Early in his apprenticeship he painted an angel, and perhaps portions of the landscape, in Verrocchio's (Uffizi) commissioned in 1481 by the monks of San Donato a Scopeto.In this work is revealed the integration of dramatic movement and chiaroscuro that characterizes the master's mature style.